I suppose it had to happen sooner or later: a story so silly and just plain stupid I bursted out laughing many times in disbelief in public. And at the same time it was so shambolic, or just so badly written, or relied so much on past stories, which I was totally oblivious about, I had no idea what exactly happened in the comic which goes under the name Ihmesarja 105: Kostajat.
Well… (Sorry, I have to wipe out tears from my eyes, I’m laughing so hard I can’t see anymore.)
Ok, try to follow. I have to quote this straight from the comic book to get it absolutely right:
A wicked plan of the Kree managed to tele-move Mar-Vell to the NEGATIVE ZONE.
Just a few hours ago he managed to get back to Earth, where THE AVENGERS, world’s greatest superheroes, noticed that Mar-Vell had received toxic levels of nega-radiation.”
This has made him “a ticking time bomb”. The Avengers go after him, he escapes trying to get back home where…
But Mar-Vell’s escape is halted, when the Avengers get unexpected help from a young earthling called Rick Jones, who has a telephatic link with Mar-Vell.”
That was only the first page (this is of course a compilation of the story so far). Then the second page, something something, and then the third one:
“In fact the plan AVATUS is already in effect: a base in Alaska is already beaming EVO-RAYS, which turn every animal and plant back to their most primitive form.”
“As Wasp is caught in a trap between Yellowjacket and his scientist colleagues, who all have turned into primordial humans as victims of the evo-rays.”
Then the Avengers attack the base, and the Kree leave, because their homeworld is being attacked by the Skrull, the evo-rays are stopped and everybody is returned to normal. They all make a promise not to tell no-one about what has happened, because they want to avoid chaos. Of course, the scientists do exactly that and the Avengers are blamed for keeping this information from humans and for protecting Mar-Vell. The founding members of the Avengers decide to break up the group.
And finally we get to the actual story…
In the first episode Vision arrives, half dead, to the Avengers headquarters and collapses. Iron Man, Thor and Captain America are puzzled, not knowing what to do, since Vision is an android. Luckily Ant-Man comes by and spends almost the whole first episode inside Vision avoiding his “immune system” from killing him. A very not-exciting mission in a very trippy episode in the life of the Avengers.
But wait, there is more! After being revived Vision tells how he was injured. He had wound up on a field with Scarlet Witch and Quicksilver among cows who turned into Skrulls (looking like members of the Fantastic Four) and attacked them! (Remember, dear readers, drugs are dangerous.) Vision was the only one to escape.
Then happens something I’m not quite sure about. Skrulls looking like Fantastic Four fight members of the Avengers at various locations. Scarlet Witch and Quicksilver are held captive while Super-Skrull (what a ridiculous name!) tries to force Mar-Vell to reveal him the secrets of the omni-wave! Then something something happens again while the Skrull king (or something?) tells his daughter that she is an utter disappointment for being a female. Funny thing how the skrull males look like something that might come out of Cthulhu’s ass, but the females are supermodels in human terms.
Then something, something, an angry man, something.
Then some half-fish-man called Triton from the Inhumans pops out from the water and joins the group. He tells the Avengers the Inhumans live up on a Himalayan mountain where everybody has some superpower. Their ruler was the Back Bolt, but his brother Crazy Maximus got some weird mental powers and usurped the crown. (I shit you not, Crazy Maximus. I bet he was teased a lot in the kindergarten.) Now Black Bolt is living somewhere in San Francisco having lost his memory and Triton asks help from the Avengers. Vision’s answer: “NO!” The team divides their forces to help the Inhumans – that case solved in the next six pages.
Then happens something and I’m totally lost. And then the Avengers find themselves in the same room with Supreme Intelligence, which seems to be a floating head looking like the True Finns …sorry the Finns as they want to be called, chairman Timo Soini on a giant screen. He tells he has planned the whole thing to get his throne back from Ronan. He tells Rick Jones:
“Ronan thinks he has made me helpless and my once so great mental-waves can’t penetrate the shields of Kree and Skrull leaders.
That’s why I turned them towards your homeworld, Rick Jones, where I first made H. Warren Craddock [Remember that angry man? That’s the guy. -MM] persecute the Avengers and Mar-Vell.
I made you rush out from that court hearing. [??? No idea. Might have happened. -MM]
I prevented Mar-Vell from realizing Carol Danvers was a skrull untill it was too late and he was taken to the Skrull homeworld. [Ok…? -MM]
I also made the Kree-warrior kidnap you from Attilan. This is all my doing.”
Then the Supreme Intelligence makes Rick take drugs, because that’s the only thing which can explain how he suddenly finds himself from the “Nega-zone” with Annihilus. Rick feels Mar-Vell’s twisted face, shoots weird rays, breaks a brick wall (? of nega zone?), Quicksilver shoots like a cannon ball, Supreme Intelligence appears, the Avengers are loose, I’m lost, everybody turns out to be skrulls or krees, I’m not sure, Rick joins Mar-Vell becoming one with him (NOT that way!), Fury appears, and the book ends.
Whaaaaat?! I mean, what the hell just happened?! I knew somebody had to have solved this puzzle, and alas! Wikipedia has the answer. And a very surprising answer, since I almost choked on my tea when I read this:
“The “Kree-Skrull War“ is a story arc that was written by Roy Thomas, and drawn by Sal Buscema, Neal Adams, and John Buscema. The story was originally published in the Marvel Comics comic book title Avengers #89 – 97 (June 1971 – March 1972).
The “Kree-Skrull War” is notable for its cosmic scope of interstellar warfare, enormous cast of characters, use of metaphor and allegory (for instance, to Joseph McCarthy and HUAC), and the introduction of the Vision–Scarlet Witch romance, which became an ongoing theme for the characters (and by default the Avengers) for years to come. The “Kree-Skrull War” is considered by critics to be a highlight of its era, and is the culmination of a string of notable Thomas-Adams collaborations from this period, which began with their run on X-Men in 1969.”
Shit! If this was a highlight of its era… I mean, shit! (Pardon my French!)
The only explanation I can come up with is that nobody has any idea what happened in the story, and everybody is too embarrassed to admit it so they label the thing a piece of art and give it legendary proportions thus ensuring no-one else dares to say the story is a ridiculous monster sucking your brain with a hay straw. You know, just like in that child’s story about the king and his new clothes. Well, I’m known as the “ammattikehtaaja” (lit. professional darer) among my friends, so I’m going to say it as it is: this story is ridiculous, unbelievable even in comic terms, confusing, badly written, and without any cohesive idea. (Sorry, Mr. Thomas)
Also from the same Wikipedia page: “Writer Thomas admits he had no ‘master plan’ in writing the ‘Kree-Skrull War.'” I rest my case.
The main problem with the story is there were too many storylines going on at the same time and popping up at random, like that sudden “let’s rescue Black Bolt from San Francisco!” It makes following the main story pretty darn difficult. The other problem is there are so many characters involved alongside the Avengers, including all the bad guys, I had no idea who was who and who did what.
The story was so full of ridiculous turns and twists, like that evo-ray turning men into cavemen, or those cows turning into skrulls, it just made me lose all faith in the story. Another thing is, I generally hate these space stories, because they are always so pointless. I’d rather read about superheroes on Earth, in an environment which is common to me and which I can understand. I think the best drama comes from within the heroes or from the world they live in. Usually stories, which happen somewhere far away, are so out of touch with reality they almost always lose everything that makes the characters interesting. The only exception I can think of is Dark Phoenix Saga, but most of that story happened on Earth and was drama about what happened inside the main chatracters’ heads.
Anyway, if you want to know what happened in the comic, you have to read it yourself. It seems even Wikipedia hasn’t caught up with the whole plot, because they have listed just about as much of the story there as I have here.
Sarjakirja comic books
In Ryhmä-X 9/1985 there was an advertisement for a softcover comic book called Sarjakirja 105: Kostajat. I must confess I’m not sure what the main idea behind Sarjakirjat was, but at times they also published Marvel superhero comics. Sarjakirja 101 had Fantastic Four in it, 86 and 103 had Spider-Man‘s adventures. Most of the issues were not superhero stories.
The issues 101 ja 105, which I have, both had four colour covers, but the insides were entirely black and white. I believe the original stories were coloured, but for black and white being a lot cheaper to print, the colours were left out and only the black parts (mostly only outlines) were printed. Funny thing is, there are a few pages (p. 85, 89, 108, and 110) in the Sarjakirja 105 which seem to have also the original colours in, but because of the one colour press the pages have turned greyscale.
Anyway, the reason for these black and white comic books, which are still made today under the name Ihmesarjat (not to be mixed up with a comic magazine called Ihmesarjat which came out between 1967-1970), is that to my understanding the Finnish Marvel publisher Egmont (the previous printed publisher Semic is part of Egmont) has always had trouble keeping Marvel comic business lucrative. Finland is a small country and speaks it’s own unique language and the country is in all aspects quite expensive (wages, storage, …). The other Nordic countries have the same problems and thus the Finnish Marvel comics are printed in the same place as the other Nordic Marvel magazines. But the thing is, since it’s very hard to keep these comics profitable, Egmont seems to be struggling to keep the balance on how many comics they can sell. There is a market that wants more, but it’s just that small a market it’s hard to make it just right. The cheapest way to get the comics out is to print them in black and white.
The 26th Helsinki Comic Festival was held last weekend and you are never going to believe what I found… :D